Further Reading
General History, Criticism and Theory
James Agee, Agee on film (Modern Library, 2000) Buy here
Ian Aitken, The documentary film movement (Edinburgh: Edinburgh University Press, 1998) Buy here
Rick Altman, Film/Genre (London: BFI publishing, 1999) Buy here
Kenneth Anger, Hollywood Babylon (Dell Publishing Company, 1981) Buy here
Rudolf Arnheim, Film as art (Berkeley: University of California Press, 1957) Buy here
André Bazin, What is cinema? (Berkeley: University of California Press, 1967) Buy here
John Belton, Widescreen cinema (Cambridge, Mass: Harvard University Press, 1993) Buy here
Walter Bernstein, Inside out: a memory of the blacklist (Da Capo Press, 2000) Buy here
David A. Cook, A History of Narrative film (W.W. Norton, 1996) Buy here
Donald Crafton, The talkies (Berkeley: University of California Press, 1999) Buy here
Bernard F. Dick, Anatomy of film (Palgrave, 1998) Buy here
James Donald (ed.) et al., Close Up 1927-1933 (Continuum International Publishing Group, 1998) Buy here
Kevin Donnelly, Film music (Edinburgh: Edinburgh University Press, 2001) Buy here
David Ehrenstein, Open secret: gay Hollywood, 1928-2000 (Harper Collins, 2000) Buy here
Jack C. Ellis, A history of film (Prentice Hall, 1995) Buy here
Patrick Fuery, New developments in film theory (Palgrave, 2000) Buy here
Robert Giddings and Erica Sheen (eds), From page to screen (Manchester: Manchester University Press, 1999) Buy here
Christine Gledhill and Linda Williams (eds), Reinventing film studies (Arnold, 2000) Buy here
Colin Harding et al., Talking pictures: the popular experience of the cinema (Yorkshire Art Circus, 1993) Buy here
Susan Hayward, Cinema studies: the key concepts (London: Routledge, 2000) Buy here
John Hill and Pamela Church Gibson (eds), Oxford guide to film studies (Oxford: Oxford University Press, 1998) Buy here
John Hill and Pamela Church Gibson (eds), World cinema (Oxford: Oxford University Press, 2000) Buy here
Jim Hillier (ed.), Cahiers du cinema vols 1 and 2 (London: Routledge, 1985-6) Buy here and Buy here
Shameem Kabir, Daughters of desire: lesbian representations in film (Cassell, 1998) Buy here
Peter Kramer, The big picture (London: BFI publishing, 2000) Buy here
Vachel Lindsay, The art of the moving picture (Modern Library, 2000) Buy here
Colin MacCabe, The eloquence of the vulgar (London: BFI publishing, 1999) Buy here
Geoffrey MacNab, Key moments in cinema (Hamlyn, 2001) Buy here
Laurent Mannoni, The great art of light and shadow (Exeter: University of Exeter Press, 2000) Buy here
Gerald Mast and Bruce F. Kawin, A short history of the movies (Allyn and Bacon, 2000) Buy here
Geoffrey Nowell-Smith and Steven Ricci (eds), Hollywood and Europe (London: BFI publishing, 1998) Buy here
Geoffrey Nowell-Smith (ed.), Oxford History of World Cinema (Oxford: Oxford University Press, 1997) Buy here
David Parkinson, History of film (Thames and Hudson, 1995) Buy here
Duncan Petrie (ed.), Cinema and the realms of enchantment (London: BFI publishing, 1993) Buy here
William Rothman, Documentary film classics (Cambridge: Cambridge University Press, 1997) Buy here
Mark Sheil and Tony Fitzmaurice (eds), Cinema and the city (Oxford: Blackwells, 2001) Buy here
Janet Staiger, Interpreting Films (Princeton University Press, 1992) Buy here
Melvyn Stokes and Richard Maltby (eds), Identifiying Hollywood's audiences (London: BFI publishing, 1999) Buy here
Tony Thomas, Music for the movies (Silman James Press, 1997) Buy here
Kristin Thompson and David Bordwell, Film History: an introduction (McGraw-Hill Publishing Company, 1994) Buy here
Peter Wollen, Signs and meaning in the cinema (London: BFI publishing, 1998) Buy here
Robin Wood, Sexual politics and narrative film (New York: Columbia University Press, 1998) Buy here
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