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University of Exeter Exeter Screen Studies Research Centre

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  • Home
  • About the Centre
  • Our Staff
  • Research Projects
    • Reframing Vivien Leigh: Stardom, Archives and Access
    • Miami Vice: Transforming Network Television in the 1980s
    • In Search of Italian Cinema Audiences in the 1940s and 1950s: Gender, Genre and National Identity
    • The Risk Taker's Survival Guide
    • Middlebrow Cinema
    • Gavrik Losey and British Film Production from the mid 1960s to the mid 1970s
    • Chinese Cinemas in the 21st Century: Production, Consumption, Imagination
    • Leading Women in Portuguese and Spanish Cinema and Television, 1970-1980
    • A Girl's Eye View
    • Subtitling World Cinema
    • A Million Pictures
    • Calling the Shots
  • Research Students
  • Publications
  • Reframing Vivien Leigh: Stardom, Archives and Access
  • Miami Vice: Transforming Network Television in the 1980s
  • In Search of Italian Cinema Audiences in the 1940s and 1950s: Gender, Genre and National Identity
  • The Risk Taker's Survival Guide
  • Middlebrow Cinema
  • Gavrik Losey and British Film Production from the mid 1960s to the mid 1970s
  • Chinese Cinemas in the 21st Century: Production, Consumption, Imagination
  • Leading Women in Portuguese and Spanish Cinema and Television, 1970-1980
  • A Girl's Eye View
  • Subtitling World Cinema
  • A Million Pictures
  • Calling the Shots
Research centresExeter Screen Studies Research CentreResearch Projects

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