Serious Play: Creative Writing Workshop
| Module title | Serious Play: Creative Writing Workshop |
|---|---|
| Module code | EAS2035 |
| Academic year | 2020/1 |
| Credits | 30 |
| Module staff | Professor Andy Brown (Convenor) |
| Duration: Term | 1 | 2 | 3 |
|---|---|---|---|
| Duration: Weeks | 11 |
| Number students taking module (anticipated) | 16 |
|---|
Module description
This is a hands-on Creative Writing workshop for Poetry and Prose Poetry, based on weekly exercises that introduce new writing techniques to fully extend your range of poetry writing. Preparation for each seminar will include background reading of creative texts and completion of short writing assignments. Workshop attendance is compulsory, and you are expected to participate fully in in-class and/or online discussions and in-class and/or online peer criticisms.
As well as weekly writing workshops, you will give short presentations on:
-
technical close readings of your own and others’ work
-
the development of the portfolio as a cohesive project for final submission. You will have the opportunity to gain critical feedback from the workshop group and tutor. There will be detailed workshops on editing techniques and approaches.
Module aims - intentions of the module
The aims of the module are:
- To develop an advanced understanding of varied technical and imaginative approaches to writing Contemporary Poetry in a range of traditional and non-traditional forms, including Prose Poetry. The emphasis is on experiment, testing the boundaries of your approaches to creative writing, and the ‘serious play’ of developing a meaningful writing project.
- Your participation and peer commentary on individual writing projects constitutes an integral part of teaching and learning, as the tutor's role will be that of a facilitator. There will be an emphasis on technical, stylistic and thematic approaches, workshopping creative writing techniques, group work, and critical feedback.
Intended Learning Outcomes (ILOs)
ILO: Module-specific skills
On successfully completing the module you will be able to...
- 1. Demonstrate an understanding of the generic conventions of creative writing, and to the shaping effects of authorship and intended audience
- 2. Demonstrate a capacity to produce creative writing in a range of styles and genres, in a manner informed by their reading
- 3. Analyse and critically examine, at an advanced level, diverse forms of writing and the devices used therein
ILO: Discipline-specific skills
On successfully completing the module you will be able to...
- 4. Demonstrate an advanced ability to produce pieces of creative writing, in agreement with specified forms and genres taught on the module
- 5. Present persuasive written and oral arguments concerning your own creative writing and the work of other authors, both peers and published authors
- 6. Demonstrate an advanced understanding of a variety of theoretical positions
- 7. Articulate a broad range of appropriate critical and professional terminology
ILO: Personal and key skills
On successfully completing the module you will be able to...
- 8. Through seminar work, demonstrate advanced communication skills, and an ability to work both individually and in in-class and/or online groups
Syllabus plan
While the content may vary from year to year, it will cover some of the following topics:
- Poetry writing workshops
- Technical close reading workshops
- Prose poetry workshops
- Ekphrasis (writing from other art forms)
- Formative portfolio presentations
- Editing sessions
Learning activities and teaching methods (given in hours of study time)
| Scheduled Learning and Teaching Activities | Guided independent study | Placement / study abroad |
|---|---|---|
| 33 | 267 | 0 |
Details of learning activities and teaching methods
| Category | Hours of study time | Description |
|---|---|---|
| Scheduled Learning and Teaching | 33 | 11 x 2 hour creative writing workshops, 11 x 1 hour workshop for technical close reading, discussion and presentation of portfolios-in-development, as well as editing skills |
| Guided Independent Study | 267 | Reading, research and writing preparation |
Formative assessment
| Form of assessment | Size of the assessment (eg length / duration) | ILOs assessed | Feedback method |
|---|---|---|---|
| Weekly examples of original poetry in draft form | In-seminar | 1-8 | Oral and peer, with opportunity for tutorial follow-up |
| Formative presentations of portfolio project in development | In-seminar | 1-8 | Oral and peer, with opportunity for tutorial follow-up |
| Formative exercises of technical close reading of published and students own poems | In-seminar | 1-2, 4-5, 7-8 | Oral and peer, with opportunity for tutorial follow-up |
Summative assessment (% of credit)
| Coursework | Written exams | Practical exams |
|---|---|---|
| 90 | 0 | 10 |
Details of summative assessment
| Form of assessment | % of credit | Size of the assessment (eg length / duration) | ILOs assessed | Feedback method |
|---|---|---|---|---|
| Portfolio of original poetry/prose poetry | 70 | 150 lines (max 170) | 1-3, 5-8 | Feedback sheet with opportunity for tutorial follow-up |
| Critical statement of technical close reading (relating 2 published poems to 2 of students own poems) | 20 | 1200 words | 4, 7-8 | Feedback sheet with opportunity for tutorial follow-up |
| Module Participation | 10 | Continuous | 1-8 | Tutorial follow-up |
| 0 |
Details of re-assessment (where required by referral or deferral)
| Original form of assessment | Form of re-assessment | ILOs re-assessed | Timescale for re-assessment |
|---|---|---|---|
| Portfolio of original poetry | Portfolio of original poetry | 1-3, 5, 8 | Referral/Deferral period |
| Critical statement of technical close reading (relating 2 published poets work to 2 of students own poems) | Critical statement of technical close reading (relating 2 published poets work to 2 of students own poems) | 4, 7-8 | Referral/Deferral period |
| Module Participation | Repeat study/mitigation | 1-8 | n/a |
Re-assessment notes
Deferral – if you miss an assessment for certificated reasons judged acceptable by the Mitigation Committee, you will normally be either deferred in the assessment or an extension may be granted. The mark given for a re-assessment taken as a result of deferral will not be capped and will be treated as it would be if it were your first attempt at the assessment.
Referral – if you have failed the module overall (i.e. a final overall module mark of less than 40%) you will be required to submit a further assessment as necessary. If you are successful on referral, your overall module mark will be capped at 40%.
Indicative learning resources - Basic reading
You are expected to develop a reading list of contemporary poetry of your own for this course. For the critical statement of technical close reading, you are expected to read and analyse the work of two contemporary published poets in comparison with your own writing.
Suggested Reading:
- Clements, Brian and Dunham, Jamey. eds. An Introduction to the Prose Poem (Firewheel Editions, 2009).
- Lehman, David. Great American Prose Poems (Simon & Schuster, 2003)
- Lumsden, Roddy. Ed. Identity Parade: New British & Irish Poets. (Bloodaxe Books, 2010)
- Monson, Jane. Ed. This Line is Not for Turning, (Cinnamon, 2015)
- Monson, Jane. Ed. British Prose Poetry: The Poems Without Lines (Palgrave, 2018)
Indicative learning resources - Web based and electronic resources
- ELE – https://vle.exeter.ac.uk/course/view.php?id=11188
- Over 300 quality interviews with significant international authors are available at The Paris Review: http://www.parisreview.com
Indicative learning resources - Other resources
You are expected to engage with a range of literary magazines online and/or in Exeter University Library:
- Agenda
- American Poetry Review
- Hudson Review
- Kunapipi
- Modern Poetry in Translation
- Overland
- Paris Review
- Parnassus
- PN Review
- Poetry Chicago
- Stand Magazine
- Wasafiri
| Credit value | 30 |
|---|---|
| Module ECTS | 15 |
| Module pre-requisites | None |
| Module co-requisites | None |
| NQF level (module) | 5 |
| Available as distance learning? | No |
| Origin date | 20/06/2019 |
| Last revision date | 14/07/2020 |


