Events

Visiting Speaker Event with Dr Sara Tafakori

Feminism After Visibility: Spectral Sovereignty and the Problem of the People

Dr Sara Tafakori, Assistant Professor in Media and Communication, University of Leeds


Event details

Abstract

Sara Tafakori is an Assistant Professor in Media and Communication at the University of Leeds. Her research sits at the intersection of feminist and postcolonial theory, affect theory, and media and cultural studies. She explores feminist protest and digital culture as affective practices in (post)colonial contact zones, and examines their role in shaping political spaces of appearance, alternative archives, and revolutionary imaginaries. She is currently writing on feminist protest, attending to how mediated acts of refusal, however fragile, fleeting or solitary, gather force as they circulate and come to mark the contours of collective life. Her research has appeared in Signs: Journal of Women in Culture and Society (where her article was awarded the 2021 Catharine Stimpson Prize for Outstanding Feminist Scholarship), the Review of International Studies (RIS), the European Journal of Cultural Studies, and Feminist Media Studies. She holds a PhD in Middle East Politics from the University of Manchester, an MA in Gender Studies from SOAS, University of London, and a BSc/MSc in Media and Communication Studies from the University of Tehran. Before joining the department, she held postdoctoral and teaching fellowships at the University of Edinburgh, SOAS, University of London, and the London School of Economics and Political Science. Her research has been supported by fellowships and grants from Princeton University, the Australian Research Council Centre of Excellence for the History of Emotions (University of Western Australia), the British Institute of Persian Studies (funded by the British Academy), the Centre for Advanced Internet Studies (CAIS) at Ruhr University Bochum, the Max Weber Foundation, and the European International Studies Association (EISA). Prior to her academic career, she worked as a journalist and columnist for national newspapers in Iran.

This talk tracks the affective disorientation of feminism as it brushes up against the figure of the people - a figure that is not quite a subject, not quite a scene, but a repeated pressure. In Iran’s Woman, Life, Freedom uprising, the popular becomes visible again: not as a media strategy, not as a demographic, but as a structure of feeling tethered to sovereignty and its impossibility. Feminist media studies has long oscillated between popular feminism as fantasy and as failure: a compromised relation to capital, a contagious mode of self-performance - more rarely, a salvific arrival. But the question remains - what if the popular is not something feminism enters or exits, but something it builds with? I am interested in the popular as the name for a history, an imaginary, which is both expansive and limiting, liberatory and exclusionary; I focus on the popular as a figure that inspires for its binary logic of Us versus Them, the ‘people’ against the state, yet which can also foreclose possibilities of solidarity through that same binary logic.  This talk lingers with the visual, textual, and sonic performances of the WLF revolt to show how the singular figure - woman, martyr, icon - animates a collective longing that feminism cannot comfortably hold but cannot abandon either.  The ‘people’ haunts feminism, and feminism returns the gesture.

Location:

IAIS Building/LT2