Publications by category
Books
Olsen B, Burström M, DeSilvey C, Pétursdóttir Þ (eds)(2021).
After Discourse: Things, Affects, Ethics., Routledge.
Abstract:
After Discourse: Things, Affects, Ethics
Abstract.
Author URL.
Harrison R, Desilvey C, MacDonald S, Holtorf C (2020).
Heritage Futures Comparative Approaches to Natural and Cultural Heritage Practices. London, UCL Press.
Abstract:
Heritage Futures Comparative Approaches to Natural and Cultural Heritage Practices
Abstract.
Author URL.
DeSilvey CO (2017).
Curated Decay: Heritage Beyond Saving., University of Minnesota Press.
Abstract:
Curated Decay: Heritage Beyond Saving
Abstract.
Author URL.
Bond, S, DeSilvey, C, Ryan J (2013).
Visible mending: everyday repairs in the South West., Uniform Books.
Author URL.
DeSilvey C (eds)(2011).
Anticipatory history. Axminster, Uniformbooks.
Author URL.
DeSilvey C (2002). Butterflies and Railroad Ties: a History of a Montana Homestead. Missoula, Montana.
Journal articles
Kadhim I, Abed FM, DeSilvey C (In Press). Combining remote sensing approaches for detecting marks of archaeological and demolished constructions in Cahokia’s Grand Plaza, South-Western Illinois. Remote Sensing
Venture T, DeSilvey C, Onciul B, Fluck H (2021). Articulating Loss: a Thematic Framework for Understanding Coastal Heritage Transformations.
Historic Environment: Policy and Practice,
12(3-4), 395-417.
Abstract:
Articulating Loss: a Thematic Framework for Understanding Coastal Heritage Transformations
The coast is a dynamic landscape characterised by change. Although coastal change can provide opportunities to engage with the past as archaeological sites are exposed and uncovered, it also means that climate change pressures are likely to exacerbate and accelerate the inevitable loss of coastal heritage. Many projects and initiatives focus on protecting and saving threatened sites, but there has been less attention to developing tools that will help the heritage profession manage and communicate around loss. New strategies are needed to help heritage professionals engage with communities confronted with the vulnerability of valued coastal heritage sites, and to counter perceptions of mismanagement and misunderstanding. This paper aims to develop language to better articulate the ways in which change and loss are likely to be experienced at coastal heritage sites, so that the challenges and opportunities presented by each situation may be fully appreciated by heritage managers and communities navigating these changes. It does not address the question of how to preserve and protect, but conversely seeks to explore how to respond to and understand loss.
Abstract.
Bartolini N, DeSilvey C (2021). Landscape futures: decision-making in uncertain times, a literature review.
Landscape Research,
46(1), 8-24.
Abstract:
Landscape futures: decision-making in uncertain times, a literature review
This review considers how rapid environmental change, generated through both inhuman natural forces and human-induced impacts, affects landscape futures and decision-making processes. To do this, we start by defining ‘futures’, and, more specifically, the different kinds of futures at stake in changing landscapes. We discuss how rapid environmental change not only puts immediate pressure on identifying alternative futures for landscapes, but also threatens to unsettle patterns of attachment to the landscape. We then explore different ways of managing tensions and consider strategies that have been used for breaking down binary divisions that may stymie informed and integrated decision-making. We conclude by adapting a five-point framework that incorporates uncertainty and environmental change when making decisions about landscape futures.
Abstract.
DeSilvey C, Fredheim H, Fluck H, Hails R, Harrison R, Samuel I, Blundell A (2021). When Loss is More: from Managed Decline to Adaptive Release.
Historic Environment: Policy and Practice,
12(3-4), 418-433.
Abstract:
When Loss is More: from Managed Decline to Adaptive Release
Within the heritage sector there is widespread recognition that the accelerating effects of climate and other changes will necessitate reconsideration of the care of at-risk places and properties. Heritage organisations and agencies are developing new ways to identify and measure future threats, and to prioritise resources accordingly. For some designated assets, it is becoming clear, it may be necessary to manage processes of decline and transformation. Drawing on insights gathered from conversations with natural and historic environment practitioners and regulators, this paper highlights current practice and policy around managed decline, with a focus on the English context. In seeking to address some of the limitations of current approaches, this paper introduces a new conceptual framework: adaptive release. Adaptive release, as presented here, reflects a decision to accommodate the dynamic transformation of a heritage asset and its associated values and significance, with reference to wider landscape settings. The focus is on iterative management over extended timeframes, involving some relinquishment of control and a commitment to ongoing monitoring and interpretation. The concept of adaptive release is presented provisionally, rather than prescriptively, to expand the range of options available to natural and historic environment professionals in responding to inevitable change.
Abstract.
DeSilvey C, Harrison R (2020). Anticipating loss: rethinking endangerment in heritage futures.
International Journal of Heritage Studies,
26(1), 1-7.
Abstract:
Anticipating loss: rethinking endangerment in heritage futures
Heritage relies, to a large extent, on notions of endangerment and consequential attempts to arrest or reverse processes of loss and change. The papers in this special issue engage critically with this underlying orientation, exploring the social and cultural work which is produced through efforts to avert loss. In doing so, the papers also point towards alternative ways of valuing objects, places and practices which are not solely determined by notions of endangerment and risk. We suggest three general themes which connect critical investigation of these issues across the varied natural and cultural heritage contexts through which these papers work–the inevitability of loss; the politics of loss; and the potential in loss. These themes have significant implications not only for the future of natural and cultural heritage preservation, conservation and management but also in mapping out future research directions for critical heritage studies.
Abstract.
Bartolini N, DeSilvey C (2020). Making space for hybridity: Industrial heritage naturecultures at West Carclaze Garden Village, Cornwall.
Geoforum,
113, 39-49.
Abstract:
Making space for hybridity: Industrial heritage naturecultures at West Carclaze Garden Village, Cornwall
© 2020 the Authors the paper explores the diverse forms of renaturing and reinscription which arise from the materiality of industrial decline and the desire to make space for nature in new peri-urban developments. As productive use is sought for post-operational spaces, remnant industrial objects and ecologies are either removed or incorporated into new landscape narratives and forms. When they are retained, the status of such remnants often remains unstable, as their identities are (re)inscribed through diverse and sometimes competing value frameworks. Instability and ambivalence are particularly pronounced in relation to features that straddle categories of nature and society: nature-culture assemblages produced through both industrial and ecological processes. In this paper, we examine two such assemblages at West Carclaze, Cornwall, in the SW of the UK, a site shaped by the process of china clay extraction and now undergoing redevelopment as a ‘garden village’. The paper considers an artificial hill formed of clay-processing waste and a rare bryophyte species which depends for its survival on ongoing industrial process. Both of these objects represent a category which we describe as ‘industrial heritage naturecultures’ – hybrid entities whose recognition potentially signals a new willingness to accept the blurring of nature-society distinctions in planning and heritage management contexts.
Abstract.
Bartolini N, DeSilvey C (2020). Recording Loss: film as method and the spirit of Orford Ness.
International Journal of Heritage Studies,
26(1), 19-36.
Abstract:
Recording Loss: film as method and the spirit of Orford Ness
This paper explores the use of film as a method to explore themes of change and loss which emerged during the recording of archaeological features at Orford Ness, UK. Owned by the National Trust, Orford Ness is an exposed shingle spit off the Suffolk coast recognised for its natural and cultural heritage. The research discussed in this paper engaged with a community archaeology project which has been recording features on the shingle spit as they are altered and erased by erosion and other coastal processes. The authors experimented with film as a method to investigate the work being undertaken by practitioners and volunteers in this dynamic landscape. We conclude that, within interdisciplinary heritage research, experimenting with film as a method facilitates the representation of embodied practices and exposes processes of meaning-making. We frame our discussion about the active production of meaning through an analysis of the way that film engaged with qualities articulated in the National Trust’s Spirit of Place statement for the site.
Abstract.
DeSilvey CO (2019). Unbuilding: Process and Preservation.
New Geographies,
10(10), 101-106.
Abstract:
Unbuilding: Process and Preservation
https://actar.com/product/new-geographies-10-fallow/
Abstract.
DeSilvey CO, Bartolini N (2019). Where horses run free? Autonomy, temporality and rewilding in the Côa Valley, Portugal. Transactions of the Institute of British Geographers
DeSilvey C (2017). Book Review Forum: Curated Decay, with commentaries by Emma Waterton, Harlan Morehouse, Richard Schein, Tim Cresswell and Caitlin DeSilvey. cultural geographies, 147447401773298-147447401773298.
Harrison R, Bartolini N, DeSilvey C, Holtorf C, Lyons A, Macdonald S, May S, Morgan J, Penrose S (2016). Heritage Futures. Archaeology International, 19(1).
DeSilvey CO (2015). Book Review: Mining Memories: Placing the Anthropocene. Cultural Geographies, 22, 377-378.
DeSilvey C, Ryan J, Bond S (2013). 21 Stories. Cultural Geographies, 21(4), 657-672.
Casalegno S, Inger R, Desilvey C, Gaston KJ (2013). Spatial covariance between aesthetic value & other ecosystem services.
PLoS One,
8(6).
Abstract:
Spatial covariance between aesthetic value & other ecosystem services.
Mapping the spatial distribution of ecosystem goods and services represents a burgeoning field of research, although how different services covary with one another remains poorly understood. This is particularly true for the covariation of supporting, provisioning and regulating services with cultural services (the non-material benefits people gain from nature). This is largely because of challenges associated with the spatially specific quantification of cultural ecosystem services. We propose an innovative approach for evaluating a cultural service, the perceived aesthetic value of ecosystems, by quantifying geo-tagged digital photographs uploaded to social media resources. Our analysis proceeds from the premise that images will be captured by greater numbers of people in areas that are more highly valued for their aesthetic attributes. This approach was applied in Cornwall, UK, to carry out a spatial analysis of the covariation between ecosystem services: soil carbon stocks, agricultural production, and aesthetic value. Our findings suggest that online geo-tagged images provide an effective metric for mapping a key component of cultural ecosystem services. They also highlight the non-stationarity in the spatial relationships between patterns of ecosystem services.
Abstract.
Author URL.
Nettley A, DeSilvey CO, Anderson K, Caseldine C (2013). Visualising sea-level rise at a coastal heritage site: participatory process and creative communication.
Landscape Research, 1-11.
Abstract:
Visualising sea-level rise at a coastal heritage site: participatory process and creative communication
This paper describes a research project that aimed to translate complex spatial and scientific data about coastal change into accessible digital formats for general audiences. The project used fine-scale remote sensing techniques including airborne and terrestrial laser scanning to produce spatially accurate and realistic 3D digital visualisations of projected sea level rise at Cotehele Quay, a site on the River Tamar in Cornwall owned and managed by the National Trust. Area residents and stakeholders were involved in a series of focus groups which provided guidance on the integration of the spatial models into a short film. The paper focuses on how the participatory, iterative process adopted in the project shaped the content and design of the film. The paper concludes with a discussion of how this process enhanced the viability of the film as a communication tool for use in wider engagement activities.
Keywords: : Terrestrial laser scanning , heritage , sea-level rise , community engagement , multi-media
Abstract.
DeSilvey C (2012). Making sense of transience: an anticipatory history.
cultural geographies,
19(1), 31-54.
Abstract:
Making sense of transience: an anticipatory history
in climate change discourse the concept of anticipatory adaptation has emerged to refer to proactive strategies for preparing communities for future change. This paper makes a proposal for what might be called anticipatory history. At designated heritage sites prevailing narratives tend to project long-term conservation indefinitely forward into the future. These narrative formulations fall short when confronted with the impending transformation, or even disappearance, of landscapes and artefacts of cultural heritage – a process that is likely to become increasingly common with the acceleration of environmental change in coastal and other contexts. Might it be possible to experiment with other ways of storying landscape, framing histories around movement rather than stasis, and drawing connections between past dynamism and future process? at the core of this paper is an experimental narration of the history of a Cornish harbour. The narrative presents a reverse chronology of moments gleaned from diverse sources ranging over three centuries, looking to a fractured landscape past to find resources for encountering a future unmaking.
Abstract.
DeSilvey C, Edensor T (2012). Reckoning with ruins. Progress in Human Geography, 37(4), 465-485.
DeSilvey C (2010). Memory in motion: soundings from Milltown, Montana.
Social and Cultural Geography,
11(5), 491-510.
Abstract:
Memory in motion: soundings from Milltown, Montana
Geographers have begun to investigate the link between creative production and cultural memory-work, exploring how art interventions frame and facilitate engagements with the past in place. This paper builds on this emerging area of enquiry to examine the transformation of an industrial river landscape in Western Montana, and the production of a sound artwork which attempted to respond to the landscape’s unmaking with an interactive installation at a local museum. An interest in how cultural remembrance is practiced and performed in relation to processes of material disarticulation guides the analysis. In conclusion, the paper proposes that a form of kinetic memory characterises engagement with ephemeral sites and the cultural productions they catalyse. The researcher’s involvement in the installation process opens up an adjacent discussion about geographical research conducted on, and through, contemporary art practice.
Abstract.
Author URL.
DeSilvey C (2010). River Axe Crossings.
J HIST GEOGR,
36(1), 119-119.
Author URL.
DeSilvey C (2010). The comfort of things.
ENVIRON PLANN D,
28(3), 562-563.
Author URL.
Degen M, DeSilvey C, Rose G (2008). Experiencing visualities in designed urban environments: learning from Milton Keynes.
ENVIRON PLANN A,
40(8), 1901-1920.
Abstract:
Experiencing visualities in designed urban environments: learning from Milton Keynes
In many discussions of how cities in the global North are changing, the growing importance of urban design is emphasised: that is, the production of visually and spatially coherent urban buildings and spaces seems to be increasingly central to urban change. To date, most attention has focused on exploring the reasons for this shift. Much less attention has been paid to the experiences of the people inhabiting and using such designed spaces. Although many authors acknowledge that, in theory, such encounters between human subjects and designed urban environments are richly various and unpredictable, few studies have examined this empirically and learnt theoretically from these encounters. Drawing on fieldwork undertaken in the British city of Milton Keynes-the centre of which is a shopping mall, a designed environment par excellence-the authors argue that understanding experiences of contemporary urban change requires a relational and performative understanding of environmental encounters, and they suggest three intertwined implications for rethinking research on urban aesthetics: first, a multimodal and sensuously embedded understanding of vision; second, a practice-centred understanding of the environment; and third, a need for self-reflexive understanding of the researchers' position in the fieldwork.
Abstract.
Author URL.
DeSilvey C (2007). Art and archive: memory-work on a Montana homestead. Journal of Historical Geography, 33(4), 878-900.
DeSilvey C (2007). Salvage memory: constellating material histories on a hardscrabble homestead. Cultural Geographies, 14(3), 401-424.
DeSilvey C (2006). Observed decay: telling stories with mutable things.
Journal of Material Culture,
11(3), 318-338.
Author URL.
DeSilvey C (2003). Cultivated histories in a Scottish allotment garden.
CULT GEOGR,
10(4), 442-468.
Abstract:
Cultivated histories in a Scottish allotment garden
The historical development of Scottish allotment gardens has invested these urban agricultural landscapes with an ambiguous diversity that persists today in both plot-level practice and in political representations. This paper examines how the ambiguity that pervades allotment practice surfaces as a liability in strategic appeals. I juxtapose a pair of narratives - the story of my involvement in a Scottish Parliament Allotments Inquiry and a history of a single Edinburgh allotment site - to draw out the survival of historical forms in contemporary political negotiations. Although a theory of `tactics' and ` strategies', adopted from Michel de Certeau, frames my discussion, I locate my analysis in the gap between these categories.
Abstract.
Author URL.
Chapters
DeSilvey C (2023). RUDERALNE DZIEDZICTWO. In (Ed) Krytyczne studia nad dziedzictwem. Pojęcia, metody, teorie i perspektywy.
DeSilvey C (2022). Becoming Apple. In Rouleau C (Ed) Woven in Vegetal Fabric: on Plant Becomings, Luxembourg: Casino Luxembourg, 222-241.
Grünfeld M, DeSilvey C (2022). Fringe Objects: Cultivating Residues at the Museum. In (Ed) MUSEALE RESTE, 35-44.
DeSilvey C (2022). Placing Time. In (Ed) Re-Creating Anthropology, 34-44.
DeSilvey C (2021). A Tale of Two Slates: on Collapse and Complicity. In Grossman V, Miguel C (Eds.)
Everyday Matters: Contemporary Approaches to Architecture, Ruby Press, 142-155.
Abstract:
A Tale of Two Slates: on Collapse and Complicity
Abstract.
DeSilvey C (2021). A positive passivity: Entropy and ecology in the ruins. In (Ed) Heritage Ecologies, 285-305.
Olsen BJ, Burström M, DeSilvey C, Pétursdóttir Þ (2020). After discourse. In (Ed) After Discourse, 1-17.
DeSilvey C (2020). Ethics: Caring for things. In (Ed) After Discourse, 205-206.
DeSilvey C (2020). Foreword: on Consciousness and Conspiracy. In Mackay R (Ed)
Hydroplutonic Kernow, MIT Press, xxv-xxix.
Abstract:
Foreword: on Consciousness and Conspiracy
Abstract.
Author URL.
DeSilvey C (2020). Foundered: other objects and the ethics of indifference. In Olsen B, Burström M, DeSilvey C, Pétursdóttir Þ (Eds.)
After Discourse: Things, Affects, Ethics, Routledge, 219-231.
Abstract:
Foundered: other objects and the ethics of indifference
Abstract.
DeSilvey C (2020). Palliative curation and future persistence: life after death. In Holtorf C, Högberg A (Eds.)
Cultural Heritage and the Future, Key Issues in Cultural Heritage, 217-229.
Abstract:
Palliative curation and future persistence: life after death
Abstract.
Author URL.
DeSilvey C (2020). Ruderal Heritage. In Harrison R, Sterling C (Eds.)
Deterritorializing the Future: Heritage In, of and After the Anthropocene, Open Humanities Press, 289-310.
Author URL.
DeSilvey CO (2019). Head, Hand, Heart: on Contradiction, Contingency and Repair. In Laviolette P, Martinez F (Eds.)
Repair, Breakages, Breakthroughs: Ethnographic Responses, Berghan, 17-23.
Author URL.
DeSilvey CO (2019). Rewilding Time in the Vale do Côa. In Tamm M, Olivier L (Eds.)
Rethinking Historical Time: New Approaches to Presentism, Bloomsbury Academic, 193-206.
Author URL.
Bartolini N, DeSilvey C (2019). Rewilding as heritage-making: New natural heritage and renewed memories in Portugal. In (Ed) The Routledge Handbook of Memory and Place, 305-314.
DeSilvey CO (2018). All Change (exhibition catalogue essay). In Cannon L (Ed)
Liminal Matter, 3-5.
Author URL.
DeSilvey C, Yusoff K (2018). Art and geography. In (Ed) companion encyclopedia of geography, 571-586.
DeSilvey CO, Ryan J (2018). Everyday Kintsukuroi: Mending as Making. In Price L, Hawkins H (Eds.) Geographies of Making, Craft and Creativity, London: Routledge, 195-212.
DeSilvey CO (2018). The Death of a Lighthouse. In Strang V, Edensor T, Puckering J (Eds.) From the Lighthouse: an Experiment in Interdisciplinarity, Routledge, 157-160.
Paton DA, DeSilvey C (2016). Growing granite: the recombinant geologies of sludge. In (Ed)
Making and Growing: Anthropological Studies of Organisms and Artefacts, 221-237.
Abstract:
Growing granite: the recombinant geologies of sludge
Abstract.
DeSilvey CO (2015). Elemental Analysis. In Raymond-Barker O (Ed) Natural Alchemy, Falmouth, UK: Two Wood Press.
Paton D, DeSilvey C (2014). Growing granite: the recombinant geologies of sludge. In Hallam E, Ingold T (Eds.) Making and growing: anthropological studies of organisms and artefacts, Ashgate, 221-238.
DeSilvey C (2014). Palliative curation: art and entropy on Orford Ness. In Olsen B, Petursdottir T (Eds.) Ruin Memories: Materialities, Aesthetics and the Archaeology of the Recent Past, Routledge, 79-91.
DeSilvey C (2013). Object lessons: from batholith to bookend. In Winders J, Schein RH, Johnson NC (Eds.) Companion to Cultural Geography, Wiley-Blackwell, 146-158.
DeSilvey C, Bond S (2013). Photo essay: on salvage photography. In Piccini A, Harrison R, Graves-Brown P (Eds.)
Oxford Handbook of the Archaeology of the Contemporary World, Oxford University Press, 642-656.
Abstract:
Photo essay: on salvage photography
Abstract.
Author URL.
DeSilvey C (2012). Copper places: affective circuitries. In Jones O, Garde-Hansen J (Eds.) Geography and memory: explorations in identity, place and becoming, Palgrave Macmillan, 45-57.
DeSilvey CO (2012). Observed decay: telling stories with mutable things (reprint). In Dudley S (Ed) Museum Objects, Routledge.
Desilvey CO (2007). Practical remembrance: material and method in a recycled archive. In Gagen E, Lorimer H, Vasudevan A (Eds.) Practicing the Archive: Reflections on Methods and Practice in Historical Geography, London: RGS Historical Geography Research Group Monograph Series, 37-45.
DeSilvey C, Yusoff K (2006). Art and geography: image and interpretation. In Douglas A, Huggett R, Perkins C (Eds.) Companion Encyclopaedia of Geography: from Local to Global, London: Routledge, 571-586.
Conferences
Nettley A, Anderson K, DeSilvey C, Caseldine C (2011). USING TERRESTRIAL LASER SCANNING AND LIDAR DATA FOR PHOTO-REALISTIC VISUALISATION OF CLIMATE IMPACTS AT HERITAGE SITES.
Author URL.
Nettley A, Anderson K, DeSilvey CO, Caseldine CJ (2011). Using terrestrial laser scanning and LiDAR data for photo-realistic visualisation of climate impacts at heritage sites. 4th ISPRS International Workshop 3D-ARCH 2011 “3D Virtual Reconstruction and Visualization of Complex Architectures”. 2nd - 5th Mar 2011.
Abstract:
Using terrestrial laser scanning and LiDAR data for photo-realistic visualisation of climate impacts at heritage sites
Abstract.
Reports
DeSilvey C, Fredheim H, Blundell A, Harrison R (2022).
Identifying Opportunities for Integrated Adaptive Management of Heritage Change and Transformation in England: a Review of Relevant Policy and Current Practice. Historic England, Historic England.
Abstract:
Identifying Opportunities for Integrated Adaptive Management of Heritage Change and Transformation in England: a Review of Relevant Policy and Current Practice
Abstract.
Church A, Fish R, Haines-Young R, Mourato S, Tratalos J (2014). Work Package 5: Cultural Ecosystem Services and Indicators. DEFRA.
Desilvey CO (2006). Coloma, Montana: Cultural Resource Management Plan. Bureau of Land Management, Missoula: BLM Missoula Field Office.
Desilvey CO (2006). Update to the Joint Northside/Westside Neighborhood Plan. Missoula City/County Office of Planning and Grants, Missoula, Montana.
Publications by year
In Press
Kadhim I, Abed FM, DeSilvey C (In Press). Combining remote sensing approaches for detecting marks of archaeological and demolished constructions in Cahokia’s Grand Plaza, South-Western Illinois. Remote Sensing
2023
DeSilvey C (2023). RUDERALNE DZIEDZICTWO. In (Ed) Krytyczne studia nad dziedzictwem. Pojęcia, metody, teorie i perspektywy.
2022
DeSilvey C (2022). Becoming Apple. In Rouleau C (Ed) Woven in Vegetal Fabric: on Plant Becomings, Luxembourg: Casino Luxembourg, 222-241.
Grünfeld M, DeSilvey C (2022). Fringe Objects: Cultivating Residues at the Museum. In (Ed) MUSEALE RESTE, 35-44.
DeSilvey C, Fredheim H, Blundell A, Harrison R (2022).
Identifying Opportunities for Integrated Adaptive Management of Heritage Change and Transformation in England: a Review of Relevant Policy and Current Practice. Historic England, Historic England.
Abstract:
Identifying Opportunities for Integrated Adaptive Management of Heritage Change and Transformation in England: a Review of Relevant Policy and Current Practice
Abstract.
DeSilvey C (2022). Placing Time. In (Ed) Re-Creating Anthropology, 34-44.
2021
DeSilvey C (2021). A Tale of Two Slates: on Collapse and Complicity. In Grossman V, Miguel C (Eds.)
Everyday Matters: Contemporary Approaches to Architecture, Ruby Press, 142-155.
Abstract:
A Tale of Two Slates: on Collapse and Complicity
Abstract.
DeSilvey C (2021). A positive passivity: Entropy and ecology in the ruins. In (Ed) Heritage Ecologies, 285-305.
Olsen B, Burström M, DeSilvey C, Pétursdóttir Þ (eds)(2021).
After Discourse: Things, Affects, Ethics., Routledge.
Abstract:
After Discourse: Things, Affects, Ethics
Abstract.
Author URL.
Venture T, DeSilvey C, Onciul B, Fluck H (2021). Articulating Loss: a Thematic Framework for Understanding Coastal Heritage Transformations.
Historic Environment: Policy and Practice,
12(3-4), 395-417.
Abstract:
Articulating Loss: a Thematic Framework for Understanding Coastal Heritage Transformations
The coast is a dynamic landscape characterised by change. Although coastal change can provide opportunities to engage with the past as archaeological sites are exposed and uncovered, it also means that climate change pressures are likely to exacerbate and accelerate the inevitable loss of coastal heritage. Many projects and initiatives focus on protecting and saving threatened sites, but there has been less attention to developing tools that will help the heritage profession manage and communicate around loss. New strategies are needed to help heritage professionals engage with communities confronted with the vulnerability of valued coastal heritage sites, and to counter perceptions of mismanagement and misunderstanding. This paper aims to develop language to better articulate the ways in which change and loss are likely to be experienced at coastal heritage sites, so that the challenges and opportunities presented by each situation may be fully appreciated by heritage managers and communities navigating these changes. It does not address the question of how to preserve and protect, but conversely seeks to explore how to respond to and understand loss.
Abstract.
Bartolini N, DeSilvey C (2021). Landscape futures: decision-making in uncertain times, a literature review.
Landscape Research,
46(1), 8-24.
Abstract:
Landscape futures: decision-making in uncertain times, a literature review
This review considers how rapid environmental change, generated through both inhuman natural forces and human-induced impacts, affects landscape futures and decision-making processes. To do this, we start by defining ‘futures’, and, more specifically, the different kinds of futures at stake in changing landscapes. We discuss how rapid environmental change not only puts immediate pressure on identifying alternative futures for landscapes, but also threatens to unsettle patterns of attachment to the landscape. We then explore different ways of managing tensions and consider strategies that have been used for breaking down binary divisions that may stymie informed and integrated decision-making. We conclude by adapting a five-point framework that incorporates uncertainty and environmental change when making decisions about landscape futures.
Abstract.
DeSilvey C, Fredheim H, Fluck H, Hails R, Harrison R, Samuel I, Blundell A (2021). When Loss is More: from Managed Decline to Adaptive Release.
Historic Environment: Policy and Practice,
12(3-4), 418-433.
Abstract:
When Loss is More: from Managed Decline to Adaptive Release
Within the heritage sector there is widespread recognition that the accelerating effects of climate and other changes will necessitate reconsideration of the care of at-risk places and properties. Heritage organisations and agencies are developing new ways to identify and measure future threats, and to prioritise resources accordingly. For some designated assets, it is becoming clear, it may be necessary to manage processes of decline and transformation. Drawing on insights gathered from conversations with natural and historic environment practitioners and regulators, this paper highlights current practice and policy around managed decline, with a focus on the English context. In seeking to address some of the limitations of current approaches, this paper introduces a new conceptual framework: adaptive release. Adaptive release, as presented here, reflects a decision to accommodate the dynamic transformation of a heritage asset and its associated values and significance, with reference to wider landscape settings. The focus is on iterative management over extended timeframes, involving some relinquishment of control and a commitment to ongoing monitoring and interpretation. The concept of adaptive release is presented provisionally, rather than prescriptively, to expand the range of options available to natural and historic environment professionals in responding to inevitable change.
Abstract.
2020
Olsen BJ, Burström M, DeSilvey C, Pétursdóttir Þ (2020). After discourse. In (Ed) After Discourse, 1-17.
DeSilvey C, Harrison R (2020). Anticipating loss: rethinking endangerment in heritage futures.
International Journal of Heritage Studies,
26(1), 1-7.
Abstract:
Anticipating loss: rethinking endangerment in heritage futures
Heritage relies, to a large extent, on notions of endangerment and consequential attempts to arrest or reverse processes of loss and change. The papers in this special issue engage critically with this underlying orientation, exploring the social and cultural work which is produced through efforts to avert loss. In doing so, the papers also point towards alternative ways of valuing objects, places and practices which are not solely determined by notions of endangerment and risk. We suggest three general themes which connect critical investigation of these issues across the varied natural and cultural heritage contexts through which these papers work–the inevitability of loss; the politics of loss; and the potential in loss. These themes have significant implications not only for the future of natural and cultural heritage preservation, conservation and management but also in mapping out future research directions for critical heritage studies.
Abstract.
DeSilvey C (2020). Ethics: Caring for things. In (Ed) After Discourse, 205-206.
DeSilvey C (2020). Foreword: on Consciousness and Conspiracy. In Mackay R (Ed)
Hydroplutonic Kernow, MIT Press, xxv-xxix.
Abstract:
Foreword: on Consciousness and Conspiracy
Abstract.
Author URL.
DeSilvey C (2020). Foundered: other objects and the ethics of indifference. In Olsen B, Burström M, DeSilvey C, Pétursdóttir Þ (Eds.)
After Discourse: Things, Affects, Ethics, Routledge, 219-231.
Abstract:
Foundered: other objects and the ethics of indifference
Abstract.
Harrison R, Desilvey C, MacDonald S, Holtorf C (2020).
Heritage Futures Comparative Approaches to Natural and Cultural Heritage Practices. London, UCL Press.
Abstract:
Heritage Futures Comparative Approaches to Natural and Cultural Heritage Practices
Abstract.
Author URL.
Bartolini N, DeSilvey C (2020). Making space for hybridity: Industrial heritage naturecultures at West Carclaze Garden Village, Cornwall.
Geoforum,
113, 39-49.
Abstract:
Making space for hybridity: Industrial heritage naturecultures at West Carclaze Garden Village, Cornwall
© 2020 the Authors the paper explores the diverse forms of renaturing and reinscription which arise from the materiality of industrial decline and the desire to make space for nature in new peri-urban developments. As productive use is sought for post-operational spaces, remnant industrial objects and ecologies are either removed or incorporated into new landscape narratives and forms. When they are retained, the status of such remnants often remains unstable, as their identities are (re)inscribed through diverse and sometimes competing value frameworks. Instability and ambivalence are particularly pronounced in relation to features that straddle categories of nature and society: nature-culture assemblages produced through both industrial and ecological processes. In this paper, we examine two such assemblages at West Carclaze, Cornwall, in the SW of the UK, a site shaped by the process of china clay extraction and now undergoing redevelopment as a ‘garden village’. The paper considers an artificial hill formed of clay-processing waste and a rare bryophyte species which depends for its survival on ongoing industrial process. Both of these objects represent a category which we describe as ‘industrial heritage naturecultures’ – hybrid entities whose recognition potentially signals a new willingness to accept the blurring of nature-society distinctions in planning and heritage management contexts.
Abstract.
DeSilvey C (2020). Palliative curation and future persistence: life after death. In Holtorf C, Högberg A (Eds.)
Cultural Heritage and the Future, Key Issues in Cultural Heritage, 217-229.
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Palliative curation and future persistence: life after death
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Bartolini N, DeSilvey C (2020). Recording Loss: film as method and the spirit of Orford Ness.
International Journal of Heritage Studies,
26(1), 19-36.
Abstract:
Recording Loss: film as method and the spirit of Orford Ness
This paper explores the use of film as a method to explore themes of change and loss which emerged during the recording of archaeological features at Orford Ness, UK. Owned by the National Trust, Orford Ness is an exposed shingle spit off the Suffolk coast recognised for its natural and cultural heritage. The research discussed in this paper engaged with a community archaeology project which has been recording features on the shingle spit as they are altered and erased by erosion and other coastal processes. The authors experimented with film as a method to investigate the work being undertaken by practitioners and volunteers in this dynamic landscape. We conclude that, within interdisciplinary heritage research, experimenting with film as a method facilitates the representation of embodied practices and exposes processes of meaning-making. We frame our discussion about the active production of meaning through an analysis of the way that film engaged with qualities articulated in the National Trust’s Spirit of Place statement for the site.
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DeSilvey C (2020). Ruderal Heritage. In Harrison R, Sterling C (Eds.)
Deterritorializing the Future: Heritage In, of and After the Anthropocene, Open Humanities Press, 289-310.
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2019
DeSilvey CO (2019). Head, Hand, Heart: on Contradiction, Contingency and Repair. In Laviolette P, Martinez F (Eds.)
Repair, Breakages, Breakthroughs: Ethnographic Responses, Berghan, 17-23.
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DeSilvey CO (2019). Rewilding Time in the Vale do Côa. In Tamm M, Olivier L (Eds.)
Rethinking Historical Time: New Approaches to Presentism, Bloomsbury Academic, 193-206.
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Bartolini N, DeSilvey C (2019). Rewilding as heritage-making: New natural heritage and renewed memories in Portugal. In (Ed) The Routledge Handbook of Memory and Place, 305-314.
DeSilvey CO (2019). Unbuilding: Process and Preservation.
New Geographies,
10(10), 101-106.
Abstract:
Unbuilding: Process and Preservation
https://actar.com/product/new-geographies-10-fallow/
Abstract.
DeSilvey CO, Bartolini N (2019). Where horses run free? Autonomy, temporality and rewilding in the Côa Valley, Portugal. Transactions of the Institute of British Geographers
2018
DeSilvey CO (2018). All Change (exhibition catalogue essay). In Cannon L (Ed)
Liminal Matter, 3-5.
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DeSilvey C, Yusoff K (2018). Art and geography. In (Ed) companion encyclopedia of geography, 571-586.
DeSilvey CO, Ryan J (2018). Everyday Kintsukuroi: Mending as Making. In Price L, Hawkins H (Eds.) Geographies of Making, Craft and Creativity, London: Routledge, 195-212.
DeSilvey CO (2018). The Death of a Lighthouse. In Strang V, Edensor T, Puckering J (Eds.) From the Lighthouse: an Experiment in Interdisciplinarity, Routledge, 157-160.
2017
DeSilvey C (2017). Book Review Forum: Curated Decay, with commentaries by Emma Waterton, Harlan Morehouse, Richard Schein, Tim Cresswell and Caitlin DeSilvey. cultural geographies, 147447401773298-147447401773298.
DeSilvey CO (2017).
Curated Decay: Heritage Beyond Saving., University of Minnesota Press.
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Curated Decay: Heritage Beyond Saving
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DeSilvey CO (2017). Mud.
Uniformannual(2018), 90-91.
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DeSilvey CO (2017). The Art of Losing.
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DeSilvey CO (2017). When Loss is More.
Views(54), 76-77.
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2016
Paton DA, DeSilvey C (2016). Growing granite: the recombinant geologies of sludge. In (Ed)
Making and Growing: Anthropological Studies of Organisms and Artefacts, 221-237.
Abstract:
Growing granite: the recombinant geologies of sludge
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Harrison R, Bartolini N, DeSilvey C, Holtorf C, Lyons A, Macdonald S, May S, Morgan J, Penrose S (2016). Heritage Futures. Archaeology International, 19(1).
2015
DeSilvey CO (2015). Book Review: Mining Memories: Placing the Anthropocene. Cultural Geographies, 22, 377-378.
DeSilvey CO (2015). Elemental Analysis. In Raymond-Barker O (Ed) Natural Alchemy, Falmouth, UK: Two Wood Press.
2014
Paton D, DeSilvey C (2014). Growing granite: the recombinant geologies of sludge. In Hallam E, Ingold T (Eds.) Making and growing: anthropological studies of organisms and artefacts, Ashgate, 221-238.
DeSilvey C (2014). Palliative curation: art and entropy on Orford Ness. In Olsen B, Petursdottir T (Eds.) Ruin Memories: Materialities, Aesthetics and the Archaeology of the Recent Past, Routledge, 79-91.
Church A, Fish R, Haines-Young R, Mourato S, Tratalos J (2014). Work Package 5: Cultural Ecosystem Services and Indicators. DEFRA.
2013
DeSilvey C, Ryan J, Bond S (2013). 21 Stories. Cultural Geographies, 21(4), 657-672.
DeSilvey C (2013). Object lessons: from batholith to bookend. In Winders J, Schein RH, Johnson NC (Eds.) Companion to Cultural Geography, Wiley-Blackwell, 146-158.
DeSilvey C, Bond S (2013). Photo essay: on salvage photography. In Piccini A, Harrison R, Graves-Brown P (Eds.)
Oxford Handbook of the Archaeology of the Contemporary World, Oxford University Press, 642-656.
Abstract:
Photo essay: on salvage photography
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Casalegno S, Inger R, Desilvey C, Gaston KJ (2013). Spatial covariance between aesthetic value & other ecosystem services.
PLoS One,
8(6).
Abstract:
Spatial covariance between aesthetic value & other ecosystem services.
Mapping the spatial distribution of ecosystem goods and services represents a burgeoning field of research, although how different services covary with one another remains poorly understood. This is particularly true for the covariation of supporting, provisioning and regulating services with cultural services (the non-material benefits people gain from nature). This is largely because of challenges associated with the spatially specific quantification of cultural ecosystem services. We propose an innovative approach for evaluating a cultural service, the perceived aesthetic value of ecosystems, by quantifying geo-tagged digital photographs uploaded to social media resources. Our analysis proceeds from the premise that images will be captured by greater numbers of people in areas that are more highly valued for their aesthetic attributes. This approach was applied in Cornwall, UK, to carry out a spatial analysis of the covariation between ecosystem services: soil carbon stocks, agricultural production, and aesthetic value. Our findings suggest that online geo-tagged images provide an effective metric for mapping a key component of cultural ecosystem services. They also highlight the non-stationarity in the spatial relationships between patterns of ecosystem services.
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Bond, S, DeSilvey, C, Ryan J (2013).
Visible mending: everyday repairs in the South West., Uniform Books.
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Nettley A, DeSilvey CO, Anderson K, Caseldine C (2013). Visualising sea-level rise at a coastal heritage site: participatory process and creative communication.
Landscape Research, 1-11.
Abstract:
Visualising sea-level rise at a coastal heritage site: participatory process and creative communication
This paper describes a research project that aimed to translate complex spatial and scientific data about coastal change into accessible digital formats for general audiences. The project used fine-scale remote sensing techniques including airborne and terrestrial laser scanning to produce spatially accurate and realistic 3D digital visualisations of projected sea level rise at Cotehele Quay, a site on the River Tamar in Cornwall owned and managed by the National Trust. Area residents and stakeholders were involved in a series of focus groups which provided guidance on the integration of the spatial models into a short film. The paper focuses on how the participatory, iterative process adopted in the project shaped the content and design of the film. The paper concludes with a discussion of how this process enhanced the viability of the film as a communication tool for use in wider engagement activities.
Keywords: : Terrestrial laser scanning , heritage , sea-level rise , community engagement , multi-media
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2012
DeSilvey C (2012). Copper places: affective circuitries. In Jones O, Garde-Hansen J (Eds.) Geography and memory: explorations in identity, place and becoming, Palgrave Macmillan, 45-57.
DeSilvey C (2012). Making sense of transience: an anticipatory history.
cultural geographies,
19(1), 31-54.
Abstract:
Making sense of transience: an anticipatory history
in climate change discourse the concept of anticipatory adaptation has emerged to refer to proactive strategies for preparing communities for future change. This paper makes a proposal for what might be called anticipatory history. At designated heritage sites prevailing narratives tend to project long-term conservation indefinitely forward into the future. These narrative formulations fall short when confronted with the impending transformation, or even disappearance, of landscapes and artefacts of cultural heritage – a process that is likely to become increasingly common with the acceleration of environmental change in coastal and other contexts. Might it be possible to experiment with other ways of storying landscape, framing histories around movement rather than stasis, and drawing connections between past dynamism and future process? at the core of this paper is an experimental narration of the history of a Cornish harbour. The narrative presents a reverse chronology of moments gleaned from diverse sources ranging over three centuries, looking to a fractured landscape past to find resources for encountering a future unmaking.
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DeSilvey CO (2012). Observed decay: telling stories with mutable things (reprint). In Dudley S (Ed) Museum Objects, Routledge.
DeSilvey C, Edensor T (2012). Reckoning with ruins. Progress in Human Geography, 37(4), 465-485.
2011
DeSilvey C (eds)(2011).
Anticipatory history. Axminster, Uniformbooks.
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Nettley A, Anderson K, DeSilvey C, Caseldine C (2011). USING TERRESTRIAL LASER SCANNING AND LIDAR DATA FOR PHOTO-REALISTIC VISUALISATION OF CLIMATE IMPACTS AT HERITAGE SITES.
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Nettley A, Anderson K, DeSilvey CO, Caseldine CJ (2011). Using terrestrial laser scanning and LiDAR data for photo-realistic visualisation of climate impacts at heritage sites. 4th ISPRS International Workshop 3D-ARCH 2011 “3D Virtual Reconstruction and Visualization of Complex Architectures”. 2nd - 5th Mar 2011.
Abstract:
Using terrestrial laser scanning and LiDAR data for photo-realistic visualisation of climate impacts at heritage sites
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2010
DeSilvey C (2010). Memory in motion: soundings from Milltown, Montana.
Social and Cultural Geography,
11(5), 491-510.
Abstract:
Memory in motion: soundings from Milltown, Montana
Geographers have begun to investigate the link between creative production and cultural memory-work, exploring how art interventions frame and facilitate engagements with the past in place. This paper builds on this emerging area of enquiry to examine the transformation of an industrial river landscape in Western Montana, and the production of a sound artwork which attempted to respond to the landscape’s unmaking with an interactive installation at a local museum. An interest in how cultural remembrance is practiced and performed in relation to processes of material disarticulation guides the analysis. In conclusion, the paper proposes that a form of kinetic memory characterises engagement with ephemeral sites and the cultural productions they catalyse. The researcher’s involvement in the installation process opens up an adjacent discussion about geographical research conducted on, and through, contemporary art practice.
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DeSilvey C (2010). River Axe Crossings.
J HIST GEOGR,
36(1), 119-119.
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DeSilvey C (2010). The comfort of things.
ENVIRON PLANN D,
28(3), 562-563.
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2008
Degen M, DeSilvey C, Rose G (2008). Experiencing visualities in designed urban environments: learning from Milton Keynes.
ENVIRON PLANN A,
40(8), 1901-1920.
Abstract:
Experiencing visualities in designed urban environments: learning from Milton Keynes
In many discussions of how cities in the global North are changing, the growing importance of urban design is emphasised: that is, the production of visually and spatially coherent urban buildings and spaces seems to be increasingly central to urban change. To date, most attention has focused on exploring the reasons for this shift. Much less attention has been paid to the experiences of the people inhabiting and using such designed spaces. Although many authors acknowledge that, in theory, such encounters between human subjects and designed urban environments are richly various and unpredictable, few studies have examined this empirically and learnt theoretically from these encounters. Drawing on fieldwork undertaken in the British city of Milton Keynes-the centre of which is a shopping mall, a designed environment par excellence-the authors argue that understanding experiences of contemporary urban change requires a relational and performative understanding of environmental encounters, and they suggest three intertwined implications for rethinking research on urban aesthetics: first, a multimodal and sensuously embedded understanding of vision; second, a practice-centred understanding of the environment; and third, a need for self-reflexive understanding of the researchers' position in the fieldwork.
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DeSilvey C (2008). Watershed moment: the death of a Montana dam, Slate Magazine.
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2007
DeSilvey C (2007). Art and archive: memory-work on a Montana homestead. Journal of Historical Geography, 33(4), 878-900.
Desilvey CO (2007). Practical remembrance: material and method in a recycled archive. In Gagen E, Lorimer H, Vasudevan A (Eds.) Practicing the Archive: Reflections on Methods and Practice in Historical Geography, London: RGS Historical Geography Research Group Monograph Series, 37-45.
DeSilvey C (2007). Salvage memory: constellating material histories on a hardscrabble homestead. Cultural Geographies, 14(3), 401-424.
Finlay A (2007). two fields of wheat seeded with a poppy-poem.
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2006
DeSilvey C, Yusoff K (2006). Art and geography: image and interpretation. In Douglas A, Huggett R, Perkins C (Eds.) Companion Encyclopaedia of Geography: from Local to Global, London: Routledge, 571-586.
Desilvey CO (2006). Coloma, Montana: Cultural Resource Management Plan. Bureau of Land Management, Missoula: BLM Missoula Field Office.
DeSilvey C (2006). Dammed memories: a Montana river, transformed, Slate Magazine.
Author URL.
DeSilvey C (2006). Observed decay: telling stories with mutable things.
Journal of Material Culture,
11(3), 318-338.
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Desilvey CO (2006). Update to the Joint Northside/Westside Neighborhood Plan. Missoula City/County Office of Planning and Grants, Missoula, Montana.
2005
DeSilvey C (2005). Rot in peace: putting old buildings and settlements to rest, Slate Magazine.
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2004
DeSilvey CO (2004). A Landscape Event.
Verse Chain Author URL.
2003
DeSilvey C (2003). Cultivated histories in a Scottish allotment garden.
CULT GEOGR,
10(4), 442-468.
Abstract:
Cultivated histories in a Scottish allotment garden
The historical development of Scottish allotment gardens has invested these urban agricultural landscapes with an ambiguous diversity that persists today in both plot-level practice and in political representations. This paper examines how the ambiguity that pervades allotment practice surfaces as a liability in strategic appeals. I juxtapose a pair of narratives - the story of my involvement in a Scottish Parliament Allotments Inquiry and a history of a single Edinburgh allotment site - to draw out the survival of historical forms in contemporary political negotiations. Although a theory of `tactics' and ` strategies', adopted from Michel de Certeau, frames my discussion, I locate my analysis in the gap between these categories.
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2002
DeSilvey C (2002). Butterflies and Railroad Ties: a History of a Montana Homestead. Missoula, Montana.